At the National Museum of Mexican Art, John Valadez’s “Santa Ana Condition” evokes a feeling of creative abandon–fitting for a collection that takes its name from winds that are notorious for starting wildfires.
by Jason Huang •
“Drinking From the Snake’s Mouth” offers a unique perspective on an otherwise defamed activity.
by Candice Ralph •
When I found my way to the front entrance of the Lacuna Artists Lofts, the gallery was buzzing with an electricity reminiscent of an arcade.
by Jack Nuelle •
“Hall of Khan” has turned HPAC into a riding stable, but the show is a monument to monuments, a peek into the way humans honor their history and the icons we deem important.
by Nathan Worcester •
“Burden of Proof” features sculptures, appropriated objects, and photographs from ACRE participants Kera MacKenzie and Lauren Edwards.
by Emily Holland •
“The Last Pictures,” Trevor Paglen’s most recent art installation, is a collection of carefully curated photos that you will likely never ever see.
by Bea Malsky •
With wife Lisa Krause, a professional puppeteer, Espey has transformed his graphic novel “Songs of the Abyss” into a grotesque puppet show he calls “Ishi’s Brain.”
by Emma Collins •
It’s Friday night, and a decidedly eclectic assortment of Chicagoans gather in the evening hours to traverse the Zhou B Art Center, sip beer, and mingle with fellow attendees.